introducing Wan 3.0

One prompt becomes a sequence. Wan 3.0 builds up to six linked shots with sound in a single pass — same face, same light, same location, all the way through.

Start now

A shot list, not a single take

Every other model hands back one continuous clip that you then have to cut. Wan 3.0 reads your prompt as a shot list and returns the cuts already made — with the audio mixed in the same generation, not bolted on after.

Multi-shot

SIX SHOTS, ONE PROMPT

Write one line per shot and Wan 3.0 cuts between them — wide, insert, reverse, low angle, crane. You get a finished sequence back instead of raw footage waiting for a timeline.

Start now Start now

Multi-shot

SIX SHOTS, ONE PROMPT

Write one line per shot and Wan 3.0 cuts between them — wide, insert, reverse, low angle, crane. You get a finished sequence back instead of raw footage waiting for a timeline.

Start now Start now

Identity Lock

THE FACE SURVIVES THE CUT

Characters hold their features between shots and between separate generations. Shot six matches shot one without a reroll — and with Soul ID you save a person once and reuse them across every video you make.

Identity Lock

THE FACE SURVIVES THE CUT

Native audio

SOUND ARRIVES WITH PICTURE

Dialogue, ambience and effects are generated in the same pass as the frames. Nothing to sync, no offset to nudge, no second render just to hear it.

Native audio

SOUND ARRIVES WITH PICTURE

Dialogue, ambience and effects are generated in the same pass as the frames. Nothing to sync, no offset to nudge, no second render just to hear it.

References

TWELVE THINGS THAT STAY RIGHT

Attach a character, a product, a location and a style frame at the same time — up to twelve references constraining one generation. That's what keeps a branded shot accurate on every detail at once.

References

TWELVE THINGS THAT STAY RIGHT

Everything in one pass

Length, resolution, continuity and sound — handled in a single generation instead of four separate steps.