How To Make Cinematic Football Ads With AI (Full Workflow)

Make a product sheet with front, back and top shot for the product from @image_1

Give me a character reference sheet — two panels. Left: full body. Right: close-up of a face.

[VISUAL] Aggressive handheld camera, low to the ground at ankle height on an empty NYC street between tall buildings <<<image_2>>>. Sharp dutch angle tilted 15 degrees right. Sharp midday sun, heat haze rising from asphalt. The young Latino man <<<image_1>>> in his vintage two-tone football jersey, cream and navy zip-up track jacket, olive wide-leg track pants and worn off-white runners walks slowly toward camera down the center of the road. Camera drifts and breathes with subtle handheld jitter, slight whip toward his face as he gets closer, then a quick handheld tilt-up from his sneakers crunching on asphalt to a low-angle close-up of his face — squinting, dry swallow, hand briefly touching his throat. Sweat on his temples, curly hair slightly damp at the edges. 35mm lens, aggressive sun flare from the top-right corner cutting across the frame. [AUDIO] NO MUSIC. SFX ONLY — diegetic sound and live audio throughout. No score, no soundtrack, no background music of any kind. Distant city hum, faint traffic far away, a single car passing blocks back, the dry rasp of his own breath, footsteps on hot asphalt, a faint cicada-like ringing in the heat.

A towering human-shaped football exoskeleton mech character reference sheet, two views side by side on a seamless neutral gray studio background. LEFT SIDE: full-body front view labeled "FRONT" in small uppercase beneath the feet. RIGHT SIDE: full-body rear view labeled "REAR" in small uppercase beneath the feet. Both figures identical scale, centered vertically, separated by a subtle gap. The mech stands approximately 2.5× human height in an athletic ready stance — weight slightly forward, arms away from body, as if about to receive a pass. White ballistic armor plating dominates (60% of surface area), red accent panels on forearms and thighs (30%), cyan glowing edge-trim and eye visor (10%). A bold jersey-style number "7" is stamped on the chest plate. The open chest cockpit reveals internal reload harness structure and control grips where a human pilot would sit. Engineered legs end in cleated armored boots. Exposed hydraulic actuators at ankles and hips communicate explosive kicking power. FRONT VIEW details: cyan eyes forward-facing and glowing, chest "7" fully legible, cockpit cavity open and readable, cleated boots planted. REAR VIEW details: structural spine column running down the back, shoulder blade armor geometry, exhaust vent panels on the back of the helmet, hydraulic actuator bundles on backs of ankles and knees, no cockpit opening visible. Lighting: three-point studio setup — key light top-left, fill from right, strong rim light from behind tracing the silhouette and igniting cyan trim. Ultra-realistic 3D commercial CGI render quality, hard-surface industrial design aesthetic, sharp specular highlights on metal panels, clean product photography feel.

Modern New York City street, empty, sunny day, clear blue sky, anamorphic lens, shallow depth of field, film grain

A polished chrome football ball with embossed pentagons and hexagons sits perfectly centered on a uniform gray background. The hexagonal panels stay mirror-bright chrome while the pentagons are finished in glossy deep-red metallic paint, creating a two-tone contrast. Sharp specular highlights reflect the studio lighting across both surfaces, with crisp reflections outlining every panel seam.

Photoreal 8K product still: a large glowing electric round shield as a futuristic football goal — upright ~4m circular energy field of crackling blue-white electricity, plasma arcs and a luminous rim, on a sleek gunmetal emitter base. Seamless neutral grey studio backdrop, soft even lighting, shallow DoF, centered hero shot. 16:9, WB 6500K. No characters, no text.

[VISUAL] Anamorphic cinema look — rich filmic latitude, deep cinematic color science, organic highlight rolloff, subtle halation around bright sources. Practical in-camera VFX approach — real interactive light, real haze, real atmospheric particles, real lens artifacts. All glow effects achieved with hidden practical LED rigs and rim lighting on the can prop, no digital additions. Continuing on the empty NYC street between tall buildings @city-location, sharp midday sun, heavy heat haze rising from asphalt. The young Latino man @adils-topup walks slowly forward, drained by the heat. Handheld camera trailing behind him at hip height, jittering with his steps, dutch angle tilted 10 degrees right. Beat one — he suddenly stops mid-stride. Camera handheld-arcs around to his side, settling on a low-angle medium close-up of his face, dutch angle flipping to 12 degrees left. His eyes lock onto something ahead in the middle of the road. Slight squint, mouth slightly parted in confusion. Beat two — camera handheld-pushes past his shoulder for a reveal shot. Floating in the middle of the empty NYC street about six meters ahead of him at chest height is the cold aluminum soda can @topup. It glows softly from within with a clean natural pure white light, the metal surface catching the glow in a soft luminous halo around it, faint wisps of cold mist curling off its surface despite the heat of the day. The can is not perfectly still — it gently levitates in place, drifting weightlessly on micro-currents of air: floating an inch upward, then settling, slowly rotating a few degrees to one side, then drifting back, bobbing softly as if suspended in invisible water or zero gravity. The motion is subtle, organic, hypnotic, like a feather caught in a calm draft but with the weight of a real can. Heat haze ripples around it but doesn't touch it. The asphalt directly beneath the floating can is lit faintly with a soft white pool of light. Beat three — camera handheld-tracks slowly forward with @adils-topup as he walks toward the floating can, his pace cautious but drawn to it. Dust drifting in the air between him and the can. As he approaches, the soft white glow spills onto his face and clothes, mixing with the warm sunlight in a subtle color contrast — warm sun on one side of his face, cool white on the other. The can continues its gentle levitating bob, rotating slowly. He stops two meters away, looking at the can suspended in midair. Beat four — he slowly lifts his right hand, palm up, reaching toward the floating can. Camera handheld-pushes in tight on his open palm and the hovering can in the same frame, dutch angle 15 degrees right. The can @topup responds — its weightless drifting stops, and it begins descending through the air with a perfectly controlled motion, no spin, no tilt, just smoothly drifting down toward his open hand. The white glow inside the can pulses softly once as it moves. It lowers gracefully and settles into his palm with a soft metallic touch. Beat five — the moment the can touches his hand, the glow inside the can fades out — the white light dims away into nothing, leaving just a normal-looking cold aluminum soda can in his hand. Real condensation now beading on the metal. Camera handheld-tilts up from his hand to his face, dutch angle 10 degrees left. He stares at the can for a beat, breath caught, then a small relieved half-smile pulls at the corner of his mouth. End of shot on his face looking at the now-ordinary can in his hand. Slow-motion ramping: 100% on the stop and reveal, drops to 60% as the camera pushes past his shoulder to reveal the floating can, holds at 70% on his cautious approach, drops to 40% on his hand reaching up and the can descending into his palm — the slowest beat to feel the magic of the moment, snaps back to 100% on the glow fading out and his half-smile. Anamorphic lens flare from both the sun and the white glow, fine film grain, deep blacks with detail retention, natural skin tones, warm sunlight palette with a clean white practical accent on the can and reflected onto his skin. [AUDIO] NO MUSIC. SFX ONLY — diegetic sound and live audio throughout. No score, no soundtrack, no background music of any kind. Continued distant city hum from the empty street, faint cicada-like ringing of the heat, his thirsty breathing, his footsteps stopping on hot asphalt. On the reveal of the floating can: a soft high-pitched harmonic tone emanating from the can itself — barely audible, almost like a quiet electrical hum or a glass-rim resonance, the sound of something that doesn't belong in this world. The faint hiss of cold mist curling off the metal surface. As he approaches: his cautious slow footsteps on asphalt, his quiet inhale. As his hand lifts and the can descends: a soft warm tonal swell, like a low chime, the gentle whoosh of the can moving through the air. On contact with his palm: a small metallic touch-sound, immediately followed by a soft warm exhale of energy as the glow fades — the harmonic tone gently dissolving into silence. Then just the warm wind of the street and his own breathing, the small clink of his ring against the metal as he adjusts his grip.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @adils-topup, character matches input 100%, @topup can in right hand. By end fully transformed into @adils-robot — armor assembled mid-air, @adils-robot matches input 100%. WB 6500K. EPIC transformation. MULTISHOT — fast cinematic cutting, escalating energy across the full 15s. PRACTICAL VFX — In-camera, practical-effects approach: real metal armor pieces on rigs and wires, real interactive light, real haze and atmospheric particles, real sparks and lens artifacts. The armor assembles from FLYING PIECES OF METAL — solid hard-surface plates, panels and components — that streak in through the air and lock together onto his body, NOT from nano-particles, NOT digital dust. Think practical hero-suit pieces snapping into place with weight and impact, shot for real. LOCATION — @city-location is a STYLE REFERENCE ONLY, not a fixed keyframe. Use it for look, mood, architecture and lighting — a deserted NYC-type avenue in hard midday sun. Seedance freely generates and extends the world; the character TRAVELS through space. Do not reproduce the reference frame 1:1. Keep all motion natural and believable — describe it broadly, real weight and gravity, no broken physics. ACTION — SHOT 1 (0:00–0:02) — EXTREME CLOSE, chin to forehead. @adils-topup takes a deep pull from @topup. Hard cut. SHOT 2 (0:02–0:03) — Same close framing. Can lowers, eyes snap open sharp and alert (natural, no glow), a wide genuine grin builds, deep inhale, chest rises. He is electric. Hard cut. SHOT 3 (0:03–0:05) — WIDE low. @adils-topup explodes forward into a sprint, same direction he was facing, straight down the avenue, dust kicking off the asphalt. Hard cut. SHOT 4 (0:05–0:06) — FPV DRONE chase shot flying fast right behind/over him as he sprints, swooping with the run, buildings rushing past. Building speed. Hard cut. SHOT 5 (0:06–0:07) — He plants and jumps — a strong athletic human leap, explosive but grounded, real arc and weight. Hard cut. SHOT 6 (0:07–0:09) — WIDE airborne. He is NOT frozen — his whole body keeps moving through the jump: torso twists, legs cycle and tuck, arms swing out and reach, head turns, face lit with pure joy and excitement, mouth open in an exhilarated grin. The transformation IGNITES — hard metal armor pieces streak in fast through the air and begin slamming onto his moving body, sparks flying on each impact. Hard cut. SHOT 7 (0:09–0:10) — CLOSE on the torso as his body rotates and twists in the air: the chest plate and back plate fly in and CLAMP onto him with a heavy metallic impact, side panels locking around the ribs, his torso still turning. Sparks and a flash of hard light. Hard cut. SHOT 8 (0:10–0:11) — CLOSE on an arm in motion: as he swings and extends the arm mid-air, pauldron, forearm gauntlet and hand plates streak in and SNAP into place one after another, metal hitting metal. Hard cut. SHOT 9 (0:11–0:12) — FPV DRONE whips around the airborne body in a fast orbit as his legs cycle and the leg armor and shin plates lock onto the moving limbs, capturing the full suit coming together from all sides mid-air, body in constant motion. Hard cut. SHOT 10 (0:12–0:13) — TIGHT on the face — still grinning with joy as his head turns forward: the helmet pieces fly in and assemble, visor descends and SLAMS shut with a sharp metallic CRACK, visor LED ignites blue. Hard cut. SHOT 11 (0:13–0:15) — WIDE. @adils-robot lands hard in a crouch, both feet hitting the asphalt, dust ring bursting out, last plates settling. He rises, flexes his gauntleted fists, glances down at the chest plate. Muffled laugh from behind the sealed visor. Hard cut to black. CAMERA — SUPER-DYNAMIC: mix of aggressive HANDHELD (strong operator shake, organic jitter, no stabilization) and fast FPV DRONE moves. Pronounced DUTCH ANGLE throughout, tilting harder as energy builds. Vary the angles for epic rhythm. SHOT 1: extreme close, hard dutch, violent micro-shake. SHOT 2: extreme close, dutch flips to the other side, jittery. SHOT 3: wide low, whip into the sprint, strong dutch. SHOT 4: FPV DRONE chasing the run, fast swoop, motion blur. SHOT 5: low, snap-tilt up tracking the launch, strong dutch. SHOT 6: fast handheld arc around the airborne body, hard dutch, catching the first pieces hit. SHOT 7: tight handheld on the torso, hard jolt on each plate impact. SHOT 8: handheld whip along the arm, shallow DoF on the snapping plates. SHOT 9: FPV DRONE fast orbit around the airborne body. SHOT 10: tight handheld push-in on the face, snap as the visor seals. SHOT 11: hard jolt on landing, then loose handheld breathing on the suit. STYLE — Dominant: bleached asphalt grey and building canyon 60%. Secondary: navy/cream outfit becoming chrome armor 30%. Accent: grin, dust, sparks and hard chrome flashes on each plate impact, visor LED blue on landing 10%. WB 6500K. NO glowing eyes — eyes lit by natural sunlight only. CONSTRAINTS — Cut to black at end. 16:9. MULTISHOT with hard cuts. Practical in-camera VFX feel — armor assembles from FLYING METAL PIECES that slam and lock onto him with weight and sparks, NOT nano-particles, NOT digital dust. During the transformation his body is in CONSTANT MOTION — he is NOT frozen or static in a fixed pose; he keeps twisting, reaching and moving through the jump. He carries a JOYFUL, exhilarated emotion throughout — grinning, excited, loving it. NO slow-motion — full speed throughout. Camera mixes super-dynamic handheld and FPV drone shots, always with strong dutch — NEVER static or locked. NO eye glow. @city-location is a style reference only — do NOT lock to the input frame. Keep motion natural with real weight and gravity. Grin must be established before the sprint begins.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @adils-robot, human-scale 1.85m, character matches input 100%, standing in @city-location. @robo-player-2, human-scale 1.85m, hostile black and gunmetal, matches input 100%, approaching from distance with @ball-prop (standard regulation 22cm). WB 6500K. ACTION — MULTISHOT, hard cuts, kinetic and cinematic. Focus: @adils-robot's reaction to the charging @robo-player-2. SHOT 1 (0:00–0:03) — SUPER-LOW ground-level CLOSE on @robo-player-2's legs and feet as it sprints toward camera at 20 km/h with @ball-prop moving ahead of it. Dust bursts off the cracked asphalt at every metal footfall, feet pounding past the lens. Hard cut. SHOT 2 (0:03–0:06) — LOW ANGLE, looking UP at @adils-robot from near the ground. His helmet snaps toward the threat — head turns fast to lock onto the charging opponent, visor catching the sun. Pauldrons roll back, chest squares. A sharp reactive recoil — he registers the danger. Hard cut. SHOT 3 (0:06–0:09) — LOW ANGLE tracking @adils-robot's body dropping into action — armored feet stamp wide to 65cm stance, weight slams down 3cm, knees flex to 160°, both gauntlets snap up to chest-height ready guard, elbows at 100°. Hydraulics hiss, metal fingers spread. Body coils with explosive tension, head tracking the closing @robo-player-2. Hard cut. SHOT 4 (0:09–0:11) — LOW ANGLE, @robo-player-2 fills frame closing to 5m, red visor blazing, @ball-prop at its feet. @adils-robot leans in, shifting weight onto the balls of his feet, gauntlets tightening — primed to pounce. Hard cut. SHOT 5 (0:11–0:15) — @adils-robot ATTACKS — drives forward at 22 km/h, wins @ball-prop off @robo-player-2 and sends it powerfully forward down the avenue in a long low line. @adils-robot watches it go — visor tracking it. CAMERA — SUPER-ACTIVE HANDHELD throughout — aggressive operator shake 6–10cm, constant organic jitter, no stabilization, restless reframing, LOW ANGLE shots dominant for power and dynamism. Dutch angle on every shot, tilting harder as tension builds. SHOT 1: FOV 18°, super-low ground-level close chasing the running legs and ball, violent jitter with each stride, motion blur, dutch 14°. SHOT 2: FOV 35°, low angle craning up at @adils-robot, fast handheld whip as his head snaps to the threat, dutch 18°. SHOT 3: FOV 47°, low angle, camera drops and shakes hard as he sinks into stance, kinetic bounce, dutch 20°. SHOT 4: FOV 35°, low angle, handheld surge pushing in as the opponent fills frame, dutch 16°. SHOT 5: FOV 63°, low aggressive handheld tracking the attack and strike, hard jolt on the kick contact, dutch 12°. STYLE — Dominant: @city-location avenue grey and hard midday light 60%. Secondary: @adils-robot chrome back vs @robo-player-2 black approaching 30%. Accent: dust plumes at footsteps, @ball-prop trajectory 10%. WB 6500K. CONSTRAINTS — NO FADE. 16:9. MULTISHOT with hard cuts per timecodes. SHOT 1 is a close-up of @robo-player-2's running legs kicking the ball; SHOT 2 is over @adils-robot's shoulder showing the SAME approaching robot. @adils-robot's face stays hidden behind the sealed visor — both robots always human-scale. @ball-prop standard size. Camera always handheld with strong shake and dutch angle — never static or locked.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — Hero CLOSE-UP formation of @goal-shield — a glowing electric round shield football goal powering up in the middle of the road, matches input 100%, normal size. It holds for a beat, then a @ball-prop flies into it and the shield EXPLODES. @city-location avenue around it. WB 6500K. MULTISHOT — detailed, cinematic, kinetic. All shots SUPER-MACRO / CLOSE-UP. LOCATION — @city-location is a STYLE REFERENCE ONLY, not a fixed keyframe. Deserted NYC-type avenue, hard midday sun. Seedance freely extends the world. Do not reproduce the reference frame 1:1. ACTION — SHOT 1 (0:00–0:03) — MACRO CLOSE-UP on the empty asphalt in the middle of @city-location. A first thin filament of blue-white electricity arcs out of the ground, then more — crackling, branching, gathering. Hard cut. SHOT 2 (0:03–0:06) — CLOSE detail as the energy rapidly traces a perfect circle in the air — a luminous rim ring igniting, plasma bolts dancing along it, a faint hexagonal energy lattice flickering across the forming disc. Sparks scattering. Hard cut. SHOT 3 (0:06–0:10) — TIGHT CLOSE-UP on the surface of @goal-shield as it fills in and stabilizes — fully powered, lightning rippling across it, humming with energy. It HOLDS for a beat (~1 second), settling into a steady crackling glow. Hard cut. SHOT 4 (0:10–0:13) — TIGHT CLOSE-UP on the surface of @goal-shield as, after the pause, a @ball-prop PUNCHES THROUGH it in frame — the electric field bursting and rippling violently around the ball. Hard cut. SHOT 5 (0:13–0:15) — MACRO CLOSE-UP on the detonation as @goal-shield OVERLOADS and EXPLODES in the middle of @city-location — a powerful burst of blue-white energy and a shockwave pulse, lightning forking, sparks and debris thrown, the glow dissipating. Hard cut. CAMERA — VERY DYNAMIC HANDHELD, SUPER-MACRO / CLOSE-UP on every shot, strong shake, dutch throughout, hard jolts on the impact and blast. SHOT 1: super-macro on the first arcs, violent micro-shake, dutch. SHOT 2: macro on the circle igniting, rack-focus on the bolts, dutch. SHOT 3: super-macro on the crackling surface holding, shallow DoF, dutch. SHOT 4: tight close-up on the @ball-prop punching through, hard jolt at impact, dutch. SHOT 5: macro close-up on the detonation, violent camera shake and recoil, lens flare, dutch. STYLE — Dominant: avenue grey and hard midday light 60%. Secondary: dark asphalt 30%. Accent: @goal-shield blue-white electricity, plasma bolts, sparks, rim glow, energy blast 10%. WB 6500K. NO glowing eyes — only @goal-shield emits energy. CONSTRAINTS — NO FADE. 16:9. MULTISHOT, hard cuts, SUPER-MACRO / CLOSE-UP throughout. Sequence: lightning on the asphalt → @goal-shield forms and HOLDS for ~1 second → a @ball-prop flies in and PUNCHES THROUGH it → the shield EXPLODES in a powerful energy burst with a shockwave. @goal-shield matches input 100%, NORMAL size, in the middle of @city-location. Real-time, NO slow-motion. Handheld with shake and dutch — never static. NO eye glow.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @adils-robot (human-scale 1.85m, matches input 100%) vs @robo-player-2 (human-scale 1.85m, hostile black and gunmetal, matches input 100%) in a 1-on-1 football duel with @ball-prop. The goal is @goal-shield — a large GLOWING ELECTRIC ROUND SHIELD, a circular energy field crackling with blue-white electricity, hovering upright at the end of the avenue, matches input 100%. WB 6500K. MULTISHOT — high-energy stylized football: fast footwork, feints, skill moves, both players outplaying each other. Photoreal, NOT a cartoon, but with stylish anime-style football choreography. LOCATION — @city-location is a STYLE REFERENCE ONLY, not a fixed keyframe. Deserted NYC-type avenue, hard midday sun. Seedance freely extends the world; the duel ranges across the open street. Do not reproduce the reference frame 1:1. ACTION — Single @goal-shield goal at the far end of the avenue. @robo-player-2 (the BLACK opponent robot) STARTS in possession of @ball-prop and attacks toward @goal-shield; @adils-robot defends, staying goal-side, then wins the ball and scores. Possession and movement must stay consistent and physically logical: the @ball-prop is always at the feet of whoever controls it, moves ahead a little on each touch, and only changes owner on a clean tackle/steal. SHOT 1 (0:00–0:03) — LOW ANGLE. @robo-player-2 drives @ball-prop forward toward @goal-shield with quick controlled touches, ball at its black armored feet, red optical visor blazing. @adils-robot backpedals between it and the goal, staying goal-side, gauntlets out to defend. The gap closes. Hard cut. SHOT 2 (0:03–0:06) — @robo-player-2 pulls a slick feint — shoulder drops and fakes right, then pushes @ball-prop left and accelerates past @adils-robot on the left, ball tight at its feet. @adils-robot commits the wrong way, lunges at empty air, then spins to chase. Stylish anime-style football flair. Hard cut. SHOT 3 (0:06–0:09) — @adils-robot recovers fast, sprints back and catches @robo-player-2 from the side, slides in with a clean tackle and pokes @ball-prop off it — winning possession. He shields the ball and turns it away from danger. Now @adils-robot controls @ball-prop, @robo-player-2 is momentarily beaten. Hard cut. SHOT 4 (0:09–0:12) — @robo-player-2 presses to win it back, but @adils-robot answers with a sharp skill move, beats the black robot one final time and breaks clear, driving @ball-prop goal-side toward @goal-shield with @robo-player-2 now trailing behind. The energy circle crackles brighter as he approaches. Hard cut. SHOT 5 (0:12–0:15) — @adils-robot plants and unleashes an EPIC strike. @ball-prop leaves his foot and blazes in a straight line toward @goal-shield, @robo-player-2 diving in vain behind it. The ball BLASTS through the crackling energy field — @goal-shield erupts in a burst of blue-white electricity and ripples violently. GOAL. @adils-robot stands triumphant, lit by the electric flare. Hard cut. CAMERA — VERY DYNAMIC HANDHELD throughout — aggressive shake 6–10cm, organic jitter, no stabilization, dutch angle on every shot, fast restless reframing matching the footwork. Vary the angles for cinematic rhythm. SHOT 1: FOV 28°, GROUND-LEVEL behind the ball looking up the avenue toward @goal-shield, dust grazing the lens, dutch 14°. SHOT 2: FOV 47°, tight OVER-THE-SHOULDER on @adils-robot whipping into a fast pan as @robo-player-2 blows past, hard dutch 18°. SHOT 3: FOV 18°, super-low MACRO at asphalt height on the sliding tackle and the ball popping loose, jolt of the contact, dutch 16°. SHOT 4: FOV 63°, sweeping handheld ARC orbiting @adils-robot as he beats the black robot and turns goal-side, dutch 12°. SHOT 5: FOV 35°, REVERSE ANGLE from behind/beside @goal-shield looking back at @adils-robot as the ball blazes straight at the lens and BLASTS through — hard jolt and flare on impact, dutch 20°. STYLE — Dominant: avenue grey and hard midday light 60%. Secondary: @adils-robot chrome vs @robo-player-2 black 30%. Accent: @goal-shield blue-white electric crackle and burst, @ball-prop, dust 10%. WB 6500K. NO glowing eyes — eyes/optics lit naturally; only the round shield emits energy. CONSTRAINTS — NO FADE. 16:9. MULTISHOT, hard cuts. 1-on-1 football duel with feints and skill moves, stylized anime-style choreography but photoreal. Goal is @goal-shield — a glowing crackling circular electric energy field; the ball scores by blasting through it. Both robots always human-scale. Do NOT over-detail kick mechanics. NO slow-motion. Handheld with strong shake and dutch — never static. NO eye glow.

High angle wide shot of the @location.

Put the @goal shields into @image_1 where the circles are located and create a "LOCATION SCHEME WITH GOAL SHIELDS"

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @robo-player-2, human-scale 1.85m, hostile black and gunmetal, matches input 100%, with @ball-prop, attacking. @adils-robot, human-scale 1.85m, matches input 100%, still fully armored, already beaten and trailing BEHIND @robo-player-2 (NOT standing in the goal as a keeper). The goal is @goal-shield — a large glowing electric round shield, a crackling blue-white circular energy field hovering upright, matches input 100%. WB 6500K. MULTISHOT — the black robot SCORES on our hero. LOCATION — @city-location STYLE REFERENCE ONLY, not a fixed keyframe. The pitch on the deserted avenue. Seedance freely extends the world. Do not reproduce the reference frame 1:1. Keep motion natural with real weight. ACTION — SHOT 1 (0:00–0:04) — @robo-player-2 drives @ball-prop toward @goal-shield, red optical visor blazing, metal feet pounding, dust kicking up. @adils-robot is BEHIND @robo-player-2, already beaten, chasing to catch up — he is NOT standing in the goal. Hard cut. SHOT 2 (0:04–0:09) — @robo-player-2 dribbles and OUTPLAYS @adils-robot — slipping the @ball-prop past him with a skill move, leaving our robot beaten. Hard cut. SHOT 3 (0:09–0:13) — Now clear, @robo-player-2 simply kicks the @ball-prop and the ball passes through @goal-shield — the electric energy field flickers/ripples with a burst of blue-white electricity as the ball goes through. GOAL against our hero. @robo-player-2 stands in front having scored, with the beaten @adils-robot BEHIND it in frame, looking on in disbelief. Hard cut. SHOT 4 (0:13–0:15) — @robo-player-2 turns away coldly, NO celebration — just walks off impassively. @adils-robot stands beaten, shoulders dropping behind the sealed visor. Dust settling. CAMERA — VERY DYNAMIC HANDHELD — strong shake, low angles dominant, dutch on every shot. SHOT 1: low handheld tracking the drive, dutch. SHOT 2: whip following the strike past @adils-robot, strong dutch. SHOT 3: hard jolt as the ball hits the goal, snap reframe, dutch. SHOT 4: restless handheld between @robo-player-2 and the beaten @adils-robot, dutch. STYLE — Dominant: avenue grey 60%. Secondary: @robo-player-2 black vs @adils-robot chrome 30%. Accent: @goal-shield blue-white electric burst, red visor glow, dust 10%. WB 6500K. NO glowing eyes — only @goal-shield emits energy. CONSTRAINTS — NO FADE. 16:9. MULTISHOT, hard cuts. The BLACK @robo-player-2 has already beaten @adils-robot and drives the ball to score; @adils-robot is BEHIND @robo-player-2 the whole time, chasing — he is NEVER standing in the goal as a keeper. @robo-player-2 simply kicks the ball through @goal-shield — do NOT over-detail the kick mechanics — and does NOT celebrate, turning away coldly. @goal-shield is ONLY a static glowing electric round-shield goal — NOTHING and NO ONE emerges from it, no robot or figure ever appears out of @goal-shield. NO slow-motion. Handheld with shake and dutch — never static. NO eye glow.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Documentary-grade cinematography in the visual tone of mid-2000s practical robot suit commercials — bright sunlit cinematic action, real practical effects, real stunt actors in robot suits, NOT a video game render. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky only. Color: 60:30:10. Camera: Physical cine lens. 180° shutter motion blur. HEAVY HANDHELD throughout — the camera is operated by a documentary cinematographer physically present in the action zone, with constant 10-12cm tremor, breath cycle visible in vertical drift, body reacting kinetically to every beat. NEVER a stabilized rig, NEVER a smooth dolly, NEVER a static lockoff. Aggressive dutch angles shifting freely between cuts. Heroes never centered — every composition pushed to frame thirds. Skin: Pore-level realism. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Real-world gravity and inertia. Mass has real weight. No game-physics, no glitchy movements, no snap-rotations, no instant direction changes. Every motion follows real biomechanical laws. Composition: Rule of thirds. Heroes never centered. Continuity: Characters, props, environment identical across every cut. Technical: 24fps smooth motion. 8K detail. Audio: Environmental SFX only. No music. BALL: @ball-prop is a SOLID FORGED-STEEL SPHERE — 22cm diameter, 7 kilograms, behaves like a steel cannonball. Heavy ballistic motion through air with slow ballistic arc. On any contact with armored foot or armored knee: produces DEEP METALLIC THUD or CLANK of steel-on-steel, the contacting limb visibly compresses and decelerates from the mass, the ball barely rebounds (8-15cm at most). On rolling: low grinding metallic rumble across asphalt, heavy inertia visible. Every motion and sound of @ball-prop is that of solid steel — NEVER the soft thud or bounce of a leather football. ROBOT PHYSICS: Both @robo-player-2 and @adils-robot are practical robot suits with stunt actors inside, combined mass 110kg each. All movement is heavy, deliberate, biomechanically committed. Weight shifts have inertial follow-through. Direction changes take multi-step recovery. Hydraulic joints have realistic actuation delay under load. This is footage of real stunt actors in robot suits, NOT animation. SUBJECT — @robo-player-2 and @adils-robot in @city-location with heavy steel @ball-prop. Both robots human-scale 1.85m, both 100% match input. WB 6500K. Aspect 16:9. CUT 1 — APPROACH (0–5s): Wide handheld low-angle in @city-location, dutch angle tilted 12 degrees LEFT, @robo-player-2 framed in left third of frame entering at full body, @adils-robot in right third deep at 8 meters distance. The heavy steel @ball-prop rolls slowly at @robo-player-2's right armored foot at 8 km/h, low metallic grinding rumble. @robo-player-2 walks the ball forward toward @adils-robot at 10 km/h dribble pace, each soft contact between his armored cleat and the steel ball producing a deep metallic CLANK. @adils-robot stands facing him in defensive stance, weight balanced, arms ready. The two robots maintain a clean 2-meter separation throughout — this is positional football play, no combat, no aggression, no contact between robots. Camera handheld breathes with constant 10-12cm tremor, operator walking laterally alongside @robo-player-2 at matched pace, body visible in the breath drift, dutch holding 12 left throughout. CUT 2 — FAKE AND CUT (5–10s): Eye-level handheld in @city-location, dutch angle 8 right, @adils-robot framed in right third foreground at 3 meters from @robo-player-2 who is in left third with the heavy steel @ball-prop at his right foot. The two robots maintain 2-meter clearance throughout this entire cut — no contact, no touching, no aggression. @robo-player-2 sells a sharp body fake LEFT — upper torso rotates 35 degrees left, leading shoulder drops, hips initiate the left commit, full weight sold to the deception over 0.4 seconds. @adils-robot reads it and shifts his weight LEFT in response, his right foot lifting from asphalt to step in the direction he expects @robo-player-2 to move, his 110kg mass committing through proper biomechanical sequence. At the apex of @adils-robot's committed weight shift, @robo-player-2 REVERSES direction smoothly — pulling the heavy steel @ball-prop with him as he steps RIGHT instead of left, passing cleanly past @adils-robot at 2-meter clearance through frame-right, the steel @ball-prop rolling at his feet with metallic grinding. @adils-robot finds himself wrong-footed — weight already committed left while @robo-player-2 has gone right. His armored body tries to correct but cannot snap-reverse 110kg of committed mass — hydraulic joints in his right leg fire 0.3 seconds late, mechanical stutter visible. Camera handheld with intensified tremor 12-14cm tracking the fake: small handheld push-in 40cm during the body fake setup (slow operator approach building tension), then sharp handheld whip-pan RIGHT 30 degrees following @robo-player-2's direction reversal cut, dutch angle whipping aggressively from 8 right to 16 right during the pan, motion blur from the 180-degree shutter smearing the background during the whip, then handheld micro-jolt backward as @adils-robot's wrong-foot moment hits — as if the operator is also momentarily fooled by the fake. CUT 3 — STUMBLE AND REVEAL (10–15s): Eye-level handheld in @city-location, dutch angle 6 left, @adils-robot framed centre-third as his recovery attempt fails. His own committed weight from the failed correction carries his centre of mass past the support base of his feet — his right foot crosses over his left as he tries to plant, the body topples forward under its own momentum, this is a SELF-CAUSED LOSS OF BALANCE, no contact with anything, no one pushed him, he loses balance from his own overcorrection. He falls forward through proper biomechanical sequence: arms instinctively reach out for catch, knees touch the @city-location asphalt first with metallic CLANK and dust puff 30cm, then hips, then chest plate flat with hollow steel-on-concrete CLANG, helmet rolling forward to settle, dust ring 1-meter radius rising around him. He lies still face-down on asphalt for 1 second. Then his armor begins de-coupling on its own — chest plate releases with audible metallic clank and slides off his back to asphalt, left pauldron cracks off, right pauldron follows, gauntlets snap open and drop from his forearms, shin plates clatter off, helmet rolls free and stops with hollow ring. @adils-topup is revealed beneath in civilian clothes — vintage cream-and-navy two-tone football jersey, olive wide-leg track pants — lying on asphalt where the armor used to be. He props up slowly on his left elbow with proper human biomechanics — shoulder bearing weight, ribs flexing, head lifting. Raises his left wrist into frame — on the wrist a sleek display glows RED, showing "TOP UP" text and a nearly depleted bar indicator pulsing softly at 1Hz. Camera handheld during the topple: sharp handheld tilt-down 20 degrees following his centre of mass dropping, dutch whipping from 6 left to 14 right with the tilt motion, hard downward handheld jolt 30cm on the body-meets-asphalt impact moment as operator flinches from the crash, dust burst passing the lens, tremor briefly spiking to 16cm then settling back to 12cm. Camera handheld holds low-angle on the armor de-coupling with constant kinetic jitter and breath drift visible, dutch slowly settling to 18 right. On the elbow-prop reveal of @adils-topup, camera handheld slow push-in 50cm toward him, operator presence physical in the wobble. Camera then snaps to a tight handheld close-up FOV 18° on the left wrist display, tremor 4cm, dutch 12 right, "TOP UP" red text crisp and centered in frame. STYLE: High noon, WB 6500K daylight held throughout entire sequence. Dominant 60%: @city-location asphalt and scattered grey armor. Secondary 30%: @adils-topup civilian cream-and-navy clothes re-emerging, @robo-player-2 red departing frame. Accent 10%: wrist display RED TOP UP glow. Atmospheric haze 35% density visible at mid-depth, escalating to 60% local cement-dust density during the fall in CUT 3 for 1 second then settling. Natural anamorphic horizontal lens flares from the high sun during whip-pan and dust-burst moments. Real practical effects throughout — real dust bombs, real magnetic armor rigging, real stunt suits, real spark generators only if metal-on-metal contact occurs. CONSTRAINTS — NO FADE. NO PHYSICAL CONTACT between @robo-player-2 and @adils-robot at any point — minimum 2-meter clearance maintained throughout the entire sequence, the fake achieved purely through positional play and body misdirection. NO STRIKES, NO PUNCHES, NO TACKLES, NO COMBAT, NO FIGHTING — this is a footballing skill demonstration (a body fake) followed by a SELF-CAUSED balance loss. @adils-robot falls entirely from his own overcommitted weight and late hydraulic recovery, never from any contact. @ball-prop is solid steel 7kg, behaves and sounds like solid steel at all times — never like a leather football. @robo-player-2 identity 100% match input — held identical across all 3 cuts. @adils-robot identity 100% match input — held identical across all 3 cuts. @adils-topup identity 100% match input — Latino man with curly dark hair in vintage two-tone football jersey, cream and navy track jacket, olive wide-leg track pants. @ball-prop identity 100% match input — held identical across all cuts. @city-location identity 100% match input — held identical across all cuts, same architecture, same sun position upper-right. Wrist display: "TOP UP" text and red bar visible and legible. Camera handheld throughout — no static shots, no smooth dolly, no stabilization, operator physical presence in every frame. Aspect 16:9. [AUDIO] NO MUSIC. SFX ONLY. CUT 1: low ambient hum of @city-location, deep mechanical footfalls of both robots' armored cleats on asphalt, low grinding metallic rumble of the heavy steel @ball-prop rolling, soft deep metallic CLANK of each cleat-to-ball contact during the dribble, mechanical breathing through both visors. CUT 2: heavy footfalls of @robo-player-2's fake-and-cut footwork, mechanical strain of @adils-robot's hydraulics committing weight left, metallic CLANK of @ball-prop being pulled with @robo-player-2 to the right, screech of @adils-robot's armored foot trying to plant in the recovery attempt, mechanical stutter of the late hydraulic firing. CUT 3: hollow steel-on-concrete CLANG of @adils-robot's armored body sequentially hitting asphalt — knees, hips, chest, helmet rolling, dust burst whoosh. Magnetic locks releasing on each armor piece with audible clanks as they fall to asphalt. Soft human breath of @adils-topup propping up on his elbow. Soft electronic pulse of the wrist display at 1Hz. Settling into natural canyon ambience — distant city hum, warm wind through the brutalist corridors.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, low warm dawn sun raking down the avenue canyon. Key light from sky only. Color: 60:30:10 — bleached grey asphalt and stone canyon hold the frame; the navy-and-cream tracksuit reads cool against the warm light with white-and-red armor shards catching the low sun; wet catch-lights in the eyes and the bloom of his grin are the only bright accents. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across the whole take. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SHOT 1 — one continuous take, no cuts. WB 5600K daylight. SUBJECT: @adils-topup lies face-down on the crosswalk in @city-location, palms flat on the asphalt, his head and cheek already lifted up off the ground while his body stays prone, the black digital watch on his LEFT wrist. The watch face is turned toward his own face — the camera sees only the back of the watch and never reads the dial. Scattered around his head and shoulders are the shattered white-and-red armor pieces of @adils-robot — cracked helmet and visor, gauntlet, chest and shoulder plates — his discarded shell. ACTION, in beats (naturalistic performance, micro-pauses, wet living eyes, visible breath): Beat 1 — he turns his LEFT wrist so the dial faces his own eyes and reads it; the camera never sees the face of the watch. Brow furrowed, jaw tight, raw PANIC. Beat 2 — a held beat, then his eyes snap up and search the avenue: he looks to camera-LEFT first, then turns to look camera-RIGHT, then looks out through the lens, hunting for something. Beat 3 — they FIND something — panic breaks into joy: eyes widen with wet catch-lights, mouth pulls up, teeth show in an open grin. Beat 4 — the grin launches him — he pushes off and bolts abruptly out of frame to camera-RIGHT in a smear of motion blur, leaving the empty crosswalk and scattered armor pieces behind. CAMERA: 47° FOV, neutral human perspective held as a tight close-up on his face. HANDHELD — the camera is operated by hand and breathes the whole take: a slow organic float in and out as if riding the operator's own breath, a gentle vertical rise and fall, faint lateral sway and micro-drift, a continuous fine hand tremor, the horizon easing a degree or two and self-correcting. It stays roughly on his face the entire time, never traveling far — a living, breathing handheld frame, not a lock-off. Focus rides his eyes with shallow depth of field; the armor shards and the avenue fall into soft defocus. On his bolt a small reactive nudge, but the camera does not chase — he clears the frame to camera-right and it settles, still breathing, on the empty crosswalk. STYLE: dawn contre-jour, long crosswalk shadows, clear crisp air with full depth to the skyline behind the defocus. Soft lens-flare streaks off the low sun. BACKGROUND LAYER: at the far-left edge of frame, about 20 meters deep down the avenue and out of focus, @robo-player-2 does keepie-uppies with @ball-prop on one spot — bouncing the ball off its feet and knees in a tight repeating arc, body moving with fluid supple athleticism, weight shifting smoothly hip-to-hip, staying in its position. Scaled to ordinary human height, reading the same size a real person would at that distance. CONSTRAINTS: 16:9. One continuous take, NO cuts, NO fade. Camera is handheld and breathing throughout — never a hard lock-off, never a travelling move. Watch strictly on the LEFT wrist, dial turned toward his face and never readable by the camera. He exits cleanly to camera-right; the camera holds its area and keeps breathing. Audio: diegetic street ambience, faint rhythmic ball touches in the distance, a breath-rush as he bolts.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @adils-topup in civilian clothes on the ground in @city-location, scattered armor pieces around him. Second @topup soda can levitating 6m ahead at chest height, same soft white inner glow, same condensation. Character matches input 100%. By end of CUT 3 fully transformed into @adils-robot, @adils-robot matches input 100%. WB 6500K. ACTION — CUT 1 (0–4s): @adils-topup pushes himself up from the asphalt — arms straighten, spine extends, rises to standing at 8 km/h. Eyes lock on the second @topup hovering 6m ahead. Jaw sets — masseter firms. No hesitation. He breaks into a run at 22 km/h toward the floating can. Sneakers hit cracked asphalt hard — dust puffs 8cm at each stride. The scattered armor ring he left behind on the asphalt. As he runs, right arm extends at 18 km/h toward the floating @topup. CUT 2 (4–9s): Mid-sprint at 22 km/h — right hand SNATCHES @topup out of the air with one fluid grab at 25 km/h, glow extinguishes on contact. Without breaking stride, he flicks his wrist — can opens with a sharp hiss and a spray of condensation mist. Brings it to his lips in one arc at 20 km/h and takes a deep pull MID-RUN — head tilts back slightly, Adam's apple moves twice, eyes close for one beat then reopen, bright. He drops the can — it bounces on the asphalt behind him. Zygomaticus major: grin returns 6mm at mouth corners. Stride lengthens — moving faster now, legs driving at 28 km/h. CUT 3 (9–15s): @adils-topup hits full sprint — final two strides, knees compress to 110°, right foot drives into asphalt, surface fractures 20cm radius. He LAUNCHES upward at 60 km/h. Mid-air — armor pieces from the scattered ring behind him LIFT off the asphalt at 15 km/h and FLY toward him in fast arcs. Chest plate LOCKS, pauldrons CLAMP, gauntlets SNAP, shin plates clamp, helmet descends and visor SLAMS shut with sharp metallic CRACK — all at 24fps, no slow-motion. @adils-robot lands on asphalt at the far end of frame in a hard forward stride — does NOT stop — continues running at 25 km/h and exits frame right. Camera holds on the empty avenue, scattered can on the asphalt, dust settling. CAMERA — VERY DYNAMIC HANDHELD CAMERA MOVEMENT throughout — strong operator shake 5–9cm, organic human jitter, no stabilization, never locked off, dutch angle on every cut. CUT 1: FOV 35°, LOW ANGLE near ground looking up at @adils-topup as he pushes off the asphalt and rises into the run, camera shoves up off the ground with him, heavy handheld bounce, dutch 16°. CUT 2: FOV 47°, handheld side tracking physically chasing his run at ~15 km/h, restless reframing, motion blur on pans, dutch 14°. CUT 3: FOV 84°, low handheld wide chasing the launch, mid-air armor assembly and landing — camera swings and bounces with the action, hard jolt on landing, then loose drift on the empty avenue, dutch 12°. STYLE — Dominant: @city-location asphalt grey and hard midday light 60%. Secondary: @adils-topup cream/navy becoming @adils-robot chrome 30%. Accent: @topup can condensation mist on snatch, discarded can on asphalt, armor assembly chrome flash 10%. WB 6500K. CONSTRAINTS — NO FADE. 16:9. NO slow-motion — everything 24fps. Camera always HANDHELD with strong shake and dutch angle — NEVER static or locked. CUT 1 must start on a LOW ANGLE shot. @adils-robot exits frame — does NOT stop at the end. Discarded @topup can stays on the asphalt after being dropped. Armor pieces fly in from behind him, not from the air randomly.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Bright natural sunlight only. Direct sun, hard-edged shadows, high-contrast daylight, camera often on the shadow side, strong sun rim-light on metal. No rain, no wet pavement, no fog, no mist, no moody night atmosphere. Color: 60:30:10 — dominant warm sunlit concrete and dry asphalt / secondary brushed steel and graphite robot metal / accent cool blue and amber visor glows. Camera: Physical cine lens, 180° shutter motion blur, 24fps smooth motion. Surfaces: Metal-level realism — brushed steel micro-scratches, dust, fingerprint smudges, anisotropic specular highlights, sun-accurate reflections. Androids have no skin; render machined metal surfaces, not pores. Physics: Gravity and inertia respected. Robots have real weight. The ball obeys real bounce, spin, friction and roll on dry asphalt. No floating props. Continuity: @adils-robot, @robo-player-2, @city-location and @ball-prop remain identical across the entire scene. No identity drift. Audio: Environmental SFX only — servo whirs, metal foot scrapes on dry asphalt, ball impacts, city ambience. No music. No subtitles. Create one seamless 15-second cinematic action scene, not a storyboard, not panels, not a montage grid. Scene: A one-on-one football duel between @adils-robot and @robo-player-2 at @city-location using @ball-prop. The rule is simple: each robot must protect the space behind its own back. If the ball passes behind a robot, that robot loses. The duel is fast, technical and physical: feints, nutmegs, stepovers, sole rolls, body deception, stop-and-go bursts, tight turns and last-second recoveries. Environment: @city-location is a real sunlit urban location. The asphalt is completely dry, dusty, textured, matte, with small pebbles, faded markings and crisp contact shadows under the robots and ball. No puddles. No wet reflections. No rain residue. No cyberpunk night look. Bright sunny daytime only. Robots: @adils-robot and @robo-player-2 are humanoid football robots with heavy, realistic machined-metal bodies. They move athletically but with real mass: planted feet, torque, servo corrections, knee compression, torso counter-rotation, weight shifts and believable balance. Their optical visors track the ball and opponent with small micro-pauses before reactions. Ball: @ball-prop is the only ball in the scene. It stays physically grounded, with believable spin, bounce, friction, dust contact and accurate shadows. Every trick must come from visible foot contact. 15-second continuous action: 0.0–1.2 sec — Aerial / Wide Shot / Descending Arc: Start already in motion. The camera dives from above @city-location into a bright sunlit urban court. @adils-robot and @robo-player-2 circle each other around @ball-prop. Long hard shadows stretch across the dry asphalt. The camera descends into a dynamic two-shot. 1.2–2.5 sec — Ground Level / Tracking: The camera drops to ankle height and tracks beside the ball. @adils-robot performs quick toe taps, a sole stop, then two sharp stepovers. Dust kicks up lightly from the dry asphalt. @robo-player-2 mirrors the movement and blocks the back-line. 2.5–3.8 sec — Low Angle / Close-Up / Focal Shift: @adils-robot performs a reverse elastico: inside touch, then sudden outside snap. Focus racks from the spinning ball to @robo-player-2's visor as it reacts half a beat late. Sun glints across brushed metal scratches. 3.8–5.0 sec — Over-the-Shoulder / Split Diopter: From over @robo-player-2's shoulder, @adils-robot fakes a left-side attack, then drags the ball back with the sole. The ball stays low and grounded. Split diopter keeps the ball and both robots readable. 5.0–6.4 sec — Whip Pan / Match Motion: A whip pan follows the ball as @robo-player-2 steals a touch. Hidden cut inside motion blur. @robo-player-2 performs a tight roulette turn over the ball: planted foot, sole drag, heavy torso rotation, second touch out of pressure. 6.4–7.8 sec — Arc / Handheld Precision: Camera arcs around @robo-player-2 as it executes a heel-to-heel flick, redirecting the ball toward @adils-robot's vulnerable back side. @adils-robot slides one metal foot across dry asphalt, catches grip, and traps the ball at the last instant. 7.8–9.0 sec — Locked-On / Snorricam Feel: Camera locks near @adils-robot's torso. Background swings while @adils-robot stays centered. @adils-robot uses a body feint, sole roll and sudden outside-foot touch. @robo-player-2 bites on the fake and briefly opens its stance. 9.0–10.4 sec — Double Dolly / Tight Two-Shot: Both robots close in shoulder-to-shoulder. The camera compresses the space with a subtle dolly-zoom feeling. The ball is low between them. Their visors track each other; servo joints micro-adjust like breathing. 10.4–11.7 sec — Quick Cut-Ins / Hidden Transitions: Fast close-ups hidden by passing limbs: ball under sole, metal foot scraping asphalt, visor slit narrowing, dust popping from a sharp stop. No text, no UI, no captions. The scene still feels continuous. 11.7–13.1 sec — Bullet Time Accent / Inside Cut to Outside Chop: Time stretches briefly for the decisive move. @adils-robot fakes an inside cut, then chops the ball outside with the opposite foot. @robo-player-2 crosses balance trying to recover. The ball spins hard, dust reacting to real contact. 13.1–14.3 sec — Ground Level / Pass-Through / Nutmeg: @adils-robot pauses just long enough to freeze @robo-player-2, then slips @ball-prop through the narrow gap between its legs with a compact toe-poke nutmeg. The camera races beside the ball at ground level through the leg corridor. 14.3–15.0 sec — Tracking Resolution / Final Beat: The ball rolls behind @robo-player-2, clearly crossing its protected back space. @robo-player-2 twists too late, one foot scraping dry asphalt, shoulders dropping in mechanical defeat. @adils-robot stops in a balanced stance, calm and victorious. End on a tight cinematic image of the ball behind @robo-player-2 under bright sunlight, with crisp shadows and dry asphalt texture. Use these techniques only where appropriate: Aerial, Wide Shot, Ground Level, Tracking, Arc, Low Angle, Close-Up, Over-the-Shoulder, Split Diopter, Focal Shift, Whip Pan, Match Motion, Handheld, Snorricam feel, Double Dolly, Dolly Zoom, Quick Cut-ins, Bullet Time accent, Pass-Through, Motion Blur, Hard Light, Shallow Focus.

Style: 8K cinematic. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic master cinematography. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: top-tier cinematic — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @adils-robot, human-scale 1.85m, matches input 100%, re-armored and powered up, with @ball-prop. @robo-player-2 defending. The goal is @goal-shield — a large glowing electric round shield, a crackling blue-white circular energy field hovering upright at the end of the pitch, matches input 100%. WB 6500K. MULTISHOT — EPIC, cinematic, kinetic. LOCATION — @city-location STYLE REFERENCE ONLY, not a fixed keyframe. The pitch on the deserted avenue on a BRIGHT, CLEAR, SUNNY DAY — strong warm sunlight, blue sky, hard sun glinting off the chrome armor. the AI model freely extends the world. Do not reproduce the reference frame 1:1. LAYOUT — @scheme is an aerial top-down reference showing the field layout: the two @goal-shield goals sit IN THE MIDDLE OF THE ROAD, along the avenue, one nearer and one further down the street, spaced apart down its length. Use @scheme to place the @goal-shield goals correctly in the scene — same positions and scale as in @scheme. ACTION — Keep the motion natural and believable; describe it broadly, real football movement, no exact speeds. Two @goal-shield goals on the pitch (one at each end). @robo-player-2 is attacking OUR robot's goal; @adils-robot wins the ball with his FEET (a footballer's tackle, NEVER with his hands) and scores at the OTHER end, into the black robot's goal. @goal-shield must match its input 100% — SAME normal size as the input reference, NOT enlarged or oversized. SHOT 1 (0:00–0:04) — LOW ANGLE. @robo-player-2 runs with @ball-prop at its feet, driving it toward @adils-robot's goal, red visor blazing. @adils-robot moves to meet it. Hard cut. SHOT 2 (0:04–0:08) — @adils-robot wins the ball with a SLIDING TACKLE like a real footballer — sliding low along the asphalt, leg extended, sweeping the @ball-prop cleanly off @robo-player-2 (foot only, NO hands), dust spraying up from the slide. He pops up onto his feet with the ball under control and turns the other way, leaving @robo-player-2 beaten behind him. Hard cut. SHOT 3 (0:08–0:12) — @adils-robot drives @ball-prop down the pitch toward the black robot's goal @goal-shield at the far end, plants, and lines up an EPIC strike — held beat of tension, visor fixed on the shield, @robo-player-2 chasing behind. Hard cut. SHOT 4 (0:12–0:15) — He strikes the @ball-prop hard with his foot. CLOSE-UP on @goal-shield (normal input size, NOT big) as the @ball-prop passes through it — the electric field bursts and ripples with blue-white electricity in tight detail. GOAL into the black robot's goal. Quick cut to @adils-robot standing tall, fists clenched, triumphant, lit by the electric flare — the beaten @robo-player-2 behind him. Hard cut. CAMERA — VERY DYNAMIC HANDHELD — strong natural shake, low hero angles, dutch on every shot, energy escalating. SHOT 1: wide-ish low handheld following the drive, heavy bounce, strong dutch. SHOT 2: tighter restless framing on the wind-up, moderate dutch. SHOT 3: low handheld driving with him to goal then a held framing on the wind-up, strong dutch. SHOT 4: tight CLOSE-UP on @goal-shield (normal input scale) as the ball passes through, hard jolt and electric flare, then quick cut to a low angle on the triumphant @adils-robot, light dutch. STYLE — Dominant: avenue grey and hard midday light 60%. Secondary: @adils-robot chrome 30%. Accent: @goal-shield blue-white electric burst, dust, chrome flash and visor LED blue 10%. WB 6500K. NO glowing eyes — only @goal-shield emits energy. CONSTRAINTS — NO FADE. 16:9. MULTISHOT, hard cuts. @goal-shield matches its input 100% and stays NORMAL size — NOT big or oversized. Include a CLOSE-UP of the ball passing through @goal-shield. Hero scores epically into @goal-shield — a glowing crackling electric round shield; the ball scores by blasting through it. @adils-robot wins the ball with a SLIDING TACKLE (feet only, like a real footballer) — NEVER with his hands. @robo-player-2 attacks @adils-robot's goal first; @adils-robot steals it and scores at the opposite end into the black robot's goal. Do NOT over-detail the kick mechanics — keep it cinematic and powerful. NO slow-motion. Handheld with strong shake and dutch — never static. NO eye glow.

Style: 8K large-format. Photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Lighting: Natural light only — contre-jour backlight, camera on shadow side, atmospheric haze throughout. Key light from sky and windows only. Color: 60:30:10 — dominant / secondary / accent. Camera: Physical cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, asymmetric moles, capillary flush, pore-shadow matching on-set light. Acting: naturalistic performance — micro-pauses before reactions, precise eye-line, wet living eyes with catch-lights, visible breath and chest rise. Physics: Gravity and inertia respected — mass has real weight, correct contact shadows. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Environmental SFX only. No music. No subtitles. SUBJECT — @adils-robot, human-scale 1.85m, matches input 100%, after scoring. @robo-player-2 in background. WB 6500K. MULTISHOT — comedic beat, played straight but funny. LOCATION — @city-location STYLE REFERENCE ONLY, not a fixed keyframe. The pitch on the deserted avenue. Seedance freely extends the world. Do not reproduce the reference frame 1:1. ACTION — SHOT 1 (0:00–0:04) — LOW HERO ANGLE. @adils-robot strikes an absurdly over-the-top victory pose — chest puffed out, one fist on hip, the other arm thrown up to the sky, chin lifted, visor glinting heroically. Dust and light frame him like an action figure. He holds it. Hard cut. SHOT 2 (0:04–0:08) — Slow majestic orbit around the frozen pompous pose. He is milking it completely — not moving, basking. The grandeur is comically excessive. A lone tumble of dust rolls past. Hard cut. SHOT 3 (0:08–0:12) — He holds the pose a beat too long. @robo-player-2 in the background has already given up and walked off frame. @adils-robot is still posing for no one. Hard cut. SHOT 4 (0:12–0:15) — He finally clocks that nobody is watching. Visor tilts, posture deflates slightly, a small awkward shrug of the pauldrons — comedic timing. He drops the pose and casually struts off. Hard cut. CAMERA — DYNAMIC HANDHELD with comedic framing — shake 4–7cm, dutch on every shot. SHOT 1: FOV 35°, low hero angle, hard dutch 18°, punchy. SHOT 2: FOV 47°, slow handheld orbit around him, dutch 12°. SHOT 3: FOV 63°, wide holding on the lonely pose, dutch 10°. SHOT 4: FOV 47°, handheld settling on the deflate-and-strut, dutch 14°. STYLE — Dominant: avenue grey and hard midday light 60%. Secondary: @adils-robot chrome 30%. Accent: heroic rim light, drifting dust, visor LED blue 10%. WB 6500K. NO glowing eyes. CONSTRAINTS — NO FADE. 16:9. MULTISHOT, hard cuts. Pure visual gag — the pompous hero pose held comically too long. Played straight, timing sells the joke. NO slow-motion. Handheld with shake and dutch. NO eye glow.

Style: 8K large-format. Photorealistic — no 3D render, no game engine. Cinematography: naturalistic large-format look — long flowing takes, available-light realism, deep contrast and rich filmic latitude. Natural light only, high near-noon sun, neutral white daylight, camera on shadow side. Camera: physical cine lens, 180° shutter motion blur. Physics: gravity and inertia respected, real mass, correct contact shadows. Technical: 24fps, 8K detail, no jitter. Audio: environmental SFX only. No music. No subtitles. Context: product packshot on @city-location. A matte can drops in from the top of frame and cracks the street, then jagged metal shards fly in and assemble the "TOPUP" name strictly in the right of frame, and one powerful lightning bolt passes through everything. White balance 6000K, neutral midday light. SHOT — PACKSHOT SUBJECT: @city-location as backdrop, hazy sunlit street canyon under a high near-noon sun. @topup, matte metallic blue body, enters from the top edge of frame into the screen-left third. ACTION: Beat 1 — the can flies in from the top of frame and plummets straight down into the screen-left third, hitting base-first at 40 km/h. Beat 2 — it punches about 15 cm into the asphalt and stays embedded perfectly upright and razor-sharp, its matte surface holding a soft non-reflective top light; a clear crack opens in the street with short fine hairline branches spreading a little from the contact point; a thin low puff of dust settles fast, debris staying at the base. Beat 3 — sharp jagged crystalline metal shards with angular faceted edges, a raw mix of brass, bronze, steel, aluminum, cast iron and copper, fly in from different sides as abstract unreadable fragments trailing white-hot sparks, rotate to align, then fold and clamp together with servo whirr and a spark burst — only on locking do they resolve into the letters "T", "O", "P", "U", "P" one at a time left to right, until the volumetric 3D name "TOPUP" stands strictly in the right of frame. Beat 4 — one powerful electric-blue lightning bolt rips horizontally through every object, striking across the embedded can and the full "TOPUP" name, blue grooves flaring up across the whole word. Beat 5 — the tagline "POWER UP YOUR DAY" resolves crisp beneath the name in clean sans-serif, glowing electric-blue. CAMERA: 47° on a firm low angle close to the ground looking slightly up as the can drops in from the top of frame, a sharp handheld jolt on impact, then a slow pull back holding the low angle to frame the embedded can left and the assembling logo strictly right. High sun flaring across the lens from above. STYLE: 6000K neutral white midday daylight, high overhead sun with crisp light, mild lens flare, atmospheric haze about 40% in the deep background, flanking buildings in soft silhouette. Can in matte metallic blue with a soft diffuse non-reflective surface. Letters built from sharp faceted shards of mixed raw metals — brass, bronze, steel, aluminum, cast iron, copper — with electric-blue glowing seams lighting up on lock, white-hot sparks and forked blue lightning. Short hard contact shadows directly under objects. Photoreal product-commercial finish. CONSTRAINTS: 16:9. NO-FADE. 24fps. Can identical to reference, matte non-reflective surface, dry, no water droplets. Can enters from the top of frame and embeds about 15 cm perfectly upright, opening a clear crack in the street, debris staying near the base. Low-angle camera throughout. Letters assemble one at a time left to right, strictly in the right of frame, each from separate sharp jagged crystalline shards of mixed metals that fly in as unreadable fragments and reveal the letter only once they fold and clamp in a mechanical transforming-robot style. One powerful lightning bolt passes through all objects after the name is built. Real weight, heavy impact, no floaty motion. Sound: whoosh of the falling can, heavy thud on impact, metal shards whooshing in, servo whirr and clamps per letter, one deep cracking lightning strike across everything, deep low thud on the final lock.