Test an impossible world

Start with the schoolgirl, not the city. The world can break ordinary gravity, but the viewer still needs a stable person, object, and direction of movement to follow.

Detail is useful only when it stays consistent

The clip contains a face, red hair, a satchel, rotating views, pigeons, clock-tower gears, and golden volumetric light. The amount of detail is impressive, but the review question is whether those elements keep a stable role as the view turns.

In the comparison, the character and spatial anchors become difficult to follow as the spectacle grows.

Ask ordinary questions

Freeze the busiest frame. Is this still the same person? Where is the ground plane? Which way is the machinery moving? What lights the face? A surreal premise does not excuse the shot from answering basic spatial questions.

For a complex world, use simple anchors: one person, one object, one movement, and one light source.