Assemble a scene from locked references

Treat the approved showroom palette and named assets as preflight inputs. The source first finds the location's light and color language with a loose dealership prompt, then resolves the architecture before anything moves.

Cinema Studio showing four loose dealership candidates above the short vibe prompt

This approved image supplies the look through color transfer.

Select by story beat

With the showroom, characters, car, and key already locked, the source loads the downloadable prompt skill attached to this lesson and describes the scene beat by beat. Those references are inputs to the real decision here: which fragment from each generation deserves a place in the edit. The complete official prompt is preserved below.

The first batch does not produce one perfect take. It produces several useful pieces.

Judge a batch at shot level. A broken ending does not erase a usable opening, and a weak wide shot does not erase a clean prop handoff. The source keeps the opening from video one, the wide from video two, the key shot from video three, and the rest from the final generation.

“Did this generation work?” is too broad. Ask which beat worked, where it starts, and where it stops. Those answers become edit points.

You understand the assembly when every shot in the stitched scene can be traced to one selected source take and one reason for keeping it.

Copy the exact source prompt

The exact official prompt is repeated here so you can inspect and copy the source text on any screen.

Generate the dealership sequence

— REFERENCE DEFINITIONS — @hero_secretive_03: Young man in his early 20s in a light disguise — light tan skin, dark curly hair under a brown baseball cap pulled low, rectangular orange-tinted glasses, a thick fake-looking dark mustache, small silver hoop earrings, brown suede zip-up jacket over a cream white crew-neck t-shirt, blue straight-fit jeans, white low-top sneakers — character appearance only. Reference. @manager_01: Woman in her early 30s, dealership consultant — short neat copper-blond bob, fair skin, composed professional face, light blue button-up shirt under a fitted dark navy pantsuit, black heels — character appearance only. Reference. @car_sheet: Modern dark red sports sedan, sleek fastback silhouette, black mesh rims, tinted windows, silver four-pointed star emblem — vehicle appearance only. Reference. @key: Premium car key fob — glossy dark red body with a black leather center strip, silver four-pointed star emblem and "GENOVA" lettering, steel key ring — prop reference only. Reference. @prop_racedriver: Framed photo on the showroom wall — a race driver in a black-white-red racing suit joyfully lifting a golden trophy overhead, curly dark hair, beaming open-mouthed celebration; mounted in an elegant glass frame with a clean glass border, flanked by more framed photos on its left and right — prop reference, the photo's subject is the same face as the hero without the mustache and cap. Reference. @dealership3: Modern car dealership showroom interior — vast spacious hall with a sweeping curved floor-to-ceiling glass facade, warm wooden ceiling panels meeting a high dark ceiling, angular wood-clad walls, polished light floor with long hard sun shadows falling through the glass grid, a couple of display cars parked across the open floor, white reception counter, sunny parking lot with rows of cars visible right outside the windows — location and mood reference. Reference. — TECHNICAL BLOCK — Cinematic photoreal. 16:9. 12s. SFX only, no music. Film 35mm, Kodak 500T film grain, organic color, soft contrast, filmic look. Hard warm shafts of sunlight cutting through the glass facade, striking the location and the characters. NO CGI. NON-IP. Exactly seven shots and six cuts — no more, no fewer, no extra inserts. Fast, lively, dynamic editing, vivid natural acting, alive spontaneous emotions. English dialogue, natural American accent. Extreme facial micro-expression detail. — PROMPT — The sequence consists of exactly seven shots separated by exactly six cuts — dynamic, alive, briskly paced, hard warm sunlight rays streaking across the vast showroom of @dealership3 throughout, cinematic 35mm Kodak 500T texture. SHOT 1 — medium shot inside the spacious showroom: @car_sheet stands facing the camera front-on at a 3/4 angle, its front and star emblem catching a hard warm beam of light; to the RIGHT of the car @hero_secretive_03 strolls slowly and unhurried along its side, taking his time, hands clasped behind his back, appraising it with a slow evaluating once-over, a connoisseur's small nod, completely relaxed; deeper in the hall a couple of other display cars stand across the open floor, and in the background 3-4 customers live their own lives — a couple chatting quietly by one of the display cars and gesturing at it, a man wandering past with a phone pressed to his ear in mid-conversation, someone browsing a brochure — natural lively background action in the wide sunlit space. The camera pushes in toward him to a close-up — behind his back @manager_01 hurries toward him across the floor; he suddenly hears her steps, a quick sideways flick of the eyes, instantly straightens his fake mustache and tugs his cap lower, clears his throat — "khm khm" — and turns around. Cut. SHOT 2 — wide side shot toward the glass windows and the car, the hero on the left, the consultant on the right, another display car visible deeper in the hall behind them: @manager_01 walks up and hands him the key @key, polite, with a touch of awkwardness, a small courteous nod: "Mr. Magic, here is your key." Cut. SHOT 3 — tight close-up of the key handoff — @key passing from her hand to his, the silver star emblem and GENOVA lettering clearly visible in a warm shaft of sunlight. Cut. SHOT 4 — the hero, brief and courteous, a quick nod: "Thanks" — and he walks off toward the exit at a lightly hurried, easy pace — NOT running, NOT rushing, just a touch quicker than casual, relaxed purposeful steps, no lingering. Cut. SHOT 5 — close-up of @manager_01 walking away on her business — mid-step she notices something on the wall off-screen and slows, her gaze catching, a small puzzled frown, head tilting slightly, as if something strange just registered — we see only her, not the wall. Cut. SHOT 6 — frontal close-up of the framed photo @prop_racedriver on the showroom wall: the race driver joyfully lifting the golden trophy, mounted in an elegant glass frame with a clean glass border, a hard shaft of sunlight glancing off the glass, more framed photos visible on its left and right — the same face as the man who just left, no mustache, no cap. Cut. SHOT 7 — frontal close-up of @manager_01, framed toward the window: the realization lands with a visible little jolt of surprise — her eyes widen noticeably, brows lifting up, lips parting slightly for a beat, a small caught breath, a tiny stunned blink as it clicks who was just standing in front of her — and then the surprise softens into a very faint, barely-there smile — just the corners of her mouth lifting a millimeter, a subtle knowing glimmer, nothing more — and at that instant, behind her through the window, the red @car_sheet tears past in a blur with a sharp engine roar; she whips around toward the sound. SFX only: showroom ambience, lively background chatter, a muffled phone conversation, quick heels on tile approaching, a throat-clear "khm khm", key fob changing hands with a small metallic clink, easy footsteps leaving, sudden sharp engine roar and whoosh of the passing car outside, faint glass rattle.