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Set your head on fire

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Higgsfield Academy

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Lesson 411 lessons

Set your head on fire

@source: Original clip — young man with curly dark hair, mustache, light pinstriped short-sleeve zip shirt, forearm tattoo, standing in front of a parked white car convertible on a curved overlook road at golden hour, talking to camera with animated two-handed gestures. Appearance, face, camera, motion and lighting reference — preserve exactly. Photoreal. 16:9. 6s. Filmic look — natural grain, organic color, warm golden-hour grade, soft contrast. Preserve source subject, face, expression, gestures, camera, car and lighting; fire added as VFX. SFX only. Static locked-off ultra-wide, same framing and slight barrel distortion as the source. The man keeps talking to camera and gesturing with both hands, smile unbroken, completely unfazed. In the first beat flames catch at the crown and race outward until his entire head of curls is ablaze — fire wrapping the whole scalp, every curl alight, tongues sheeting up and back off the crown and licking from the sides and back of his head. A full corona of flame haloes his head, flickering and trailing in the light breeze. Embers stream off in a constant shower, glowing orange and dying in the air above him; heat-haze shimmer warps the trees behind him. His whole head now reads as a light source — strong warm firelight rakes down his face, neck and collar and spills onto the white hood and windshield of the car behind him, pulsing on the glossy paint. The hair burns but holds its shape and silhouette, never charring away. Face and identity unchanged. Everything else — pose, delivery, golden-hour key, parked car, road and guardrail — identical to the source. SFX only: a low whoomph as the hair catches and flares up, then a full steady flame roar and crackle, constant ember snaps, faint evening wind, ambient birdsong.
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