Soul

Mixed Media

Layers of photo, paint, text, and texture. A visual collage with chaotic elegance

Marilyn Monroe's face is dismantled and wildly reassembled: her signature red lips appear three times—one full smile centered, another smaller and rotated near her temple, and a faint, torn fragment along her jawline. One eye floats high on her forehead, doubled and partially inverted, while the other eye is duplicated beneath her cheek. Her nose is split by a jagged paper seam, separating her face into layered, overlapping slices with a secondary nose bridge shifted slightly to the left. Tape tears, hand-cut paper edges, and grainy sticker outlines physically connect the facial fragments, as if ripped from vintage magazines and pasted into anarchic zine chaos. Her porcelain skin reveals subtle freckles, visible pores, and a few faint scars, registering natural imperfection beneath patchy halftone overlays. Blonde hair appears roughly cut and collaged like torn paper strips, curling unevenly around the edges. She wears a simple black dress collar partly obscured by masking tape fragments. The background pulses with xerox noise, halftone grids, and crumpled paper textures, evoking a gritty underground 1990s zine aesthetic.
His face is violently fractured into layered collages—one eye enlarged and rotated near the temple, the other sliced in half and shifted awkwardly on the cheek. His mouth appears twice: one half snarling and the other a quiet smirk, offset diagonally across the jawline. The nose bridge is torn in a jagged diagonal slash, with duplicated nostrils slightly misaligned. Raw paper edges, masking tape strips, and visible collage seams bracket each facial section, creating visual dissonance and tactile roughness reminiscent of punk zines. His skin shows detailed realism—visible pores, subtle stubble, and faint scars catch the eye beneath washed-out halftone dots. Dark, tousled hair is roughly cut and overlaid with xerox grain. The background is a crumpled, off-white paper texture mottled with sticker residue and grainy ink blots, grounding the image in handmade analog print aesthetics.
His face is aggressively reassembled with an eye bizarrely positioned where his mouth should be, staring wide and unblinking. One natural eye is duplicated and layered slightly askew above the cheekbone, while the nose is fractured diagonally with a visible torn paper seam. His jawline is harshly cropped, exposing layered fragments of skin and teeth peeking beneath the eye-mouth hybrid. Rough masking tape and sticker fragments hold fragile edges together, echoing underground hip hop flyers' chaotic energy. The subject’s skin exhibits realistic pores, light stubble, and subtle sweat gloss on his forehead. Short, tightly coiled hair is cut sharply like scissor marks on paper. His black hoodie has torn edges blending into a grainy xerox paper background smeared with faded graffiti tags and halftone dots, capturing a raw, rebellious 90s hip hop zine vibe.
Her face is a surreal stack of three overlapping expressions—each layered transparently with distinct makeup styles clashing and blending. One set of eyes is lined thickly and gazes left, another repeated half-sized with glitter shadow floats above a repeated mouth smeared with different vibrant lip colors. These fragmented layers shift in opacity, creating an unnatural triplicate visage caught between moods. Scattered around her head float cutout snippets: torn lipstick ad fragments, swatches of highlighter glowing softly against soft pastel paper patterns, all taped and collaged with visible rough edges and adhesive tape strips. Her skin texture remains richly detailed beneath these overlays—visible pores, tiny freckles, and subtle wrinkles give tactile authenticity. Her hair is cropped tightly, ink marks and xerox grain dancing over it, while her plain blouse blends into a halftone—ripped paper and sticker borders frame the chaotic composition. This portrait reverberates with 1990s underground zine energy, scanned and physically constructed rather than digitized.
His face is deconstructed into anarchic collage fragments: one eye duplicated and shifted sharply upward near the temple, the other half-rotated and layered above the cheekbone. His nose is split and staggered with a jagged paper tear, creating a stepped effect across the bridge. Two mouths overlap—one snarling, one neutral—displaced off-center below a fragmented, halved ear that appears cut and taped back unevenly. Paper seams and masking tape strips border each facial layer, emphasizing visible disruption and taped reconstruction reminiscent of a punk zine photocopy. His skin shows realistic roughness: subtle pores, faint stubble around the jaw, and fine lines by the eyes. A classic navy policeman's cap, roughly clipped with visible paper grain, crowns his head. The background offers xerox-style halftone patterns and torn paper edges, layered with tape fragments, producing a gritty, handmade collage vibe imbued with institutional grit and analog tactility.
Her face is disassembled into jagged paper pieces—lipstick-stained lips duplicated and smeared across both cheeks in irregular swaths, one mouth partially peeled like a torn sticker overlapping the jawline. One eye is rotated outward, another is mirrored and layered beneath her temple, while the nose bridge is fragmented into two overlapping shards that misalign the center. A rough tape strip horizontally bisects the face, adding a graphic divide between the chaotic fragments. The tactile collage feels hand-cut and physically torn, evoking a graphic punk flyer aesthetic. Her skin is richly detailed with visible pores, faint freckles, and subtle shine that catches the photocopy grain overlay. Her glossy hair falls in uneven chunks, edged with rough paper tears. The background is a monochrome xerox texture mottled with halftone dots and masking tape fragments, reinforcing the raw, DIY zine construction that frames the disordered portrait.
The subject's face is completely obscured by countless eyes—some duplicated, rotated sideways, others layered over the cheeks, forehead, and jaw. These eyes vary in scale and orientation, overlapping in a disordered mosaic that fractures the natural planes of the face. Paper tears visibly separate each eye cluster, with scotch tape strips and rough cut edges reinforcing the collage’s handcrafted assembly. The nose and mouth peek through faintly beneath this ocular chaos, distorted and partially concealed by the layered eyes. Her skin shows detailed pores, slight blemishes, and natural shading under the scattered eyes, preserving raw realism. Her cropped hair is roughly cut with visible paper grain edges, set against a scattered xerox-style halftone backdrop punctuated by scribbles and torn paper fragments. The entire portrait reads as a tactile, DIY zine page—fragmented, expressive, and firmly analog in nature.
Their face is dissected into a chaotic collage: one oversized eye mirrored across the cheek, the other inverted and rotated above the forehead. Lips appear twice—one curled, one flattened—offset and layered over a torn bridge of the nose fragmented into two jagged halves. Cropped hair is rendered as a thick, paper-cut silhouette with sharp uneven edges. Fashion eyewear is repeated in mismatched scales; a giant circular lens lies flat, its frameless rim forming a raw border, while a smaller, standard pair distorts their face with halftone reflections and sticker-like overlays. Torn paper seams and tape fragments punctuate the facial assembly, creating visual discord akin to layered zine pages. Glowy copper skin gleams with a tactile realism—pores, subtle wrinkles, and light acne scars are visible beneath xerox grain and halftone dots. The cropped hair is a dense mass of rough, analog texture with visible cut edges. The background mimics a mirror-tiled floor through stark halftone patterns and crumpled tape overlays, blending analog photographic distortion with punk collage energy. The entire scene feels handcrafted, scanned, and reassembled with tactile human intensity.
Her face is aggressively reassembled in raw collage style—one eye duplicated and rotated sharply upward near her hairline, the other stretched wide and layered beneath her cheekbone. Her mouth is cut into jagged halves, one snarling and the other frozen mid-shout, shifted off-center across a torn jawline. The nose bridge is split with a diagonal tear, overlaid by a second nose fragment lying askew. Rough masking tape seams and torn paper edges overlap erratically, creating chaotic but tactile layering reminiscent of a punk zine flyer. Her skin is weathered and real—visible pores, scattered freckles, and subtle scars map across her sharp cheekbones. Her spiky, cobalt-blue hair breaks the flat collage with rough paper-edge texturing. The background is gritty xerox grain, mixed with halftone patterns and scattered ink bleeds, encapsulating rebellious underground print culture.
Her face fractures into anarchic layers—one eye duplicated and placed askew above the temple, the other rotated outward with a jagged paper edge. Two mouths overlap unevenly on the lower cheek, one snarling open with a torn lip, the other pressed tight, displaced near the jawline. Her nose splits diagonally, the bridge doubled and staggered, flanked by opposing ears cut with rough scissors and pasted unevenly. Collage seams peek through, masked by frayed tape strips and scattered halftone dots, invoking a hand-cut punk flyer ethos. Her skin is gritty and raw—visible pores, sparse acne scars, and natural shine mark her pale complexion. Her spiky black hair fans out like torn paper, edges ragged and scanned with xerox grain. She wears a ripped leather jacket hinting through the tight crop, set against a grayscale background of layered newspaper textures, scribbles, and tape residues that breathe underground zine rebellion.
The subject's face is divided sharply down the middle, the left half belonging to a Black woman with layered eyes—one floating above the temple, the other doubled and mirrored near the jawline. Her lips are torn and duplicated, one section curling upward, the other positioned oddly below the chin. The right half is a white man’s visage, his nose bridge split and extended unpredictably, one ear cut out and replaced with a rough paper patch. Both halves overlap slightly with jagged, hand-cut edges and visible tape seams binding the disparate skin tones in a fragmented collage logic. The division is violent yet handmade, evoking punk zine rawness. Her side's skin shows rich texture—visible pores, fine wrinkles near the eyes, and subtle freckles, the hair cropped short and textured. The man's skin contrasts with subtle scars and stubble, his hair roughly trimmed with analog xerox grain visible throughout. The background is a torn monochrome sticker collage with halftone dots and masking tape borders, grounding the portrait in analog, tactile chaos.
Her face is vertically divided: on one side, sharply stacked eyes run above each other with the top eye rotated slightly; the other side shows natural skin but warped through an overlapping jagged paper seam. Pink eyebrows are duplicated and staggered, some edges torn as if ripped from different source images. Glitter tape slices diagonally across her cheek, physically layered over the graphite drawing side, mixing textures and styles. The sharp cheekbones shift between drawn lines and real skin contours, creating a fractured visual rhythm with crisp, analog collage seams. Her skin on the realistic side is luminous with subtle pores, light blush, and glossy makeup detailed beneath the tape. The graphite side feels raw and textured, pencil strokes visible with subtle smudging. Her dense hair fades into a background of mixed torn papers—a high-contrast montage of xerox grains, halftone dots, and ink scribbles that embody DIY punk zine aesthetics.
His face is violently torn and rearranged—a large eye shifted downward over the cheekbone, mirrored and overlapped with a smaller, rotated eye near the temple. His full lips are repeated twice, one set slightly skewed to the side, the other partially peeled back like torn paper. His nose bridge is duplicated and misaligned vertically with a sharp diagonal cut separating the halves. One ear is fragmented into jagged paper sections, taped crudely along the edges. The entire face feels layered, like a 90s punk zine spread, interlaced with rough paper seams and masking tape strips. His dark skin texture remains raw and tactile—visible pores, subtle acne scars, and faint wrinkles around the eyes. His short, tightly coiled hair is cut with uneven edges, resembling ripped paper pieces. The background is a grainy xerox halftone, scratched and darkened with ink smudges and sticker-like borders, enhancing the handmade collage feel of the portrait.
Her face is radically reassembled with two full mouths substituted for her eyes, positioned where the sockets would be and slightly skewed to mismatch the original eye line. Each mouth is cut sharply with visible paper seams, bearing slightly parted lips that contrast in tone and texture, layered over a subtle torn edge where skin would normally fold. The nose remains central but appears fragmented with jagged overlays, while one eyebrow is duplicated and rotated oddly above the second mouth. Rough masking tape fragments and halftone sticker patterns edge the collage elements. Her pale skin reveals fine pores, subtle freckles, and gentle redness near each mouth, grounding the surreal facial chaos in natural texture. Her hair is cropped close, raggedly cut with visible paper grain along the edges. The background features muted xerox grain and faint crumpled paper textures, enhancing the handcrafted zine vibe. The portrait feels violently reassembled yet tactily human.
His face is reconstructed with exaggeratedly huge eyes—one eye duplicated and layered partially rotated above the other, creating unsettling vertical displacement. His lips are slightly offset, torn into jagged paper-like edges that peek beneath a sharpened, split nose bridge. The facial features are arranged as if cut from separate magazine scraps, reassembled with visible tape fragments and rough hand-cut seams, creating a disjointed, collage-style hip hop persona brimming with underground energy. His skin shows realistic texture: natural pores, faint acne scars, and subtle sheen on the nose. His hair is tightly coiled, roughly cut with fringed paper edges. The background is a layered xerox-style black-and-white halftone pattern, splattered with sticker overlays and grainy noise reminiscent of 90s urban rap flyers. The composition feels raw and tactile, a defiant analog snapshot of hip hop culture.
Her face is sharply fragmented with geometric face paint shapes—triangular patches duplicated and shifted around her cheekbones, a pair of eyes overlapped unevenly with one rotated 45 degrees, and a mouth section torn and repositioned just beneath the jawline. The nose bridge is sliced by a diagonal paper seam that overlaps her short platinum-blond hair at the edges, while one ear is halftone patterned and partially peeled away like a torn sticker. Tape strips and rough collage borders frame the facial pieces, creating a hand-assembled, disjointed collage effect reminiscent of underground zine cut-ups. Her pale skin is textured with visible pores and faint freckles beneath the fragmented paint patterns, contrasting against the matte graphite-grey coat whose edges appear rough-cut and taped. Her hand, caught mid-gesture on the exaggerated buckle of a twisted rope belt, is photo-realistic with slight wrinkles and print grain. The background features xerox grain, halftone dots, and torn paper edges layered to heighten analog imperfection, capturing the chaotic tactile energy of DIY fashion zines.
The face is torn into jagged layers—each fragment a slightly different snapshot of the same scream. His mouth is repeated twice, one above the other, both wide open and glittering with gold teeth that gleam like cut foil. Sections of his cheeks are pasted over themselves in offset alignment, exposing sharp edges and sudden tone shifts. His eyes remain whole but are surrounded by paper-shard bursts and sticker-like starbursts, as if the emotion is fracturing the print itself. The head feels mid-motion, like a frozen punch collapsing into collage. His skin is raw and high-contrast—sweat glosses the brow, textured pores catch the flat flash lighting. The jaw shows visible razor bumps and heat-shadowed edges. The background is pure red-orange, matte and loud, with slashes of white graphic marks curling around his shoulders like motion lines. Black cutout shapes linger around the edges like visual debris from the explosion.
Her face is startlingly rearranged: two mouths replace where her eyes should be, each mouth slightly open and layered over the eye sockets. A third, small, smirking mouth sits offset near the jawline, breaking symmetry. Her nose is shifted sideways, partially torn away and reattached with rough paper edges and masking tape fragments. Layers of cut-out paper skin overlap unevenly, with repeated jawlines clipped and jagged, giving her a fractured, torn-apart visage that feels scissored directly from torn magazine pages. Sticker borders and halftone dots punctuate the collage, emphasizing the analog, handmade disruption. Her realistic skin shows natural pores and fine wrinkles around the duplicated mouths, with subtle acne scars and dry patches that anchor the surrealism in human texture. Her hair is messy, dark, with visible strands rendered in a grainy photocopy texture. The background consists of ripped newsprint scraps, xerox grain overlays, and faint ink smears, recalling the chaotic spirit of underground punk zines and DIY flyer aesthetics.
The subject's face is aggressively sliced and reconstructed from four distinct faces, each portion distinctly separated by jagged, visible paper seams that crisscross diagonally. Their eyes are layered in cascading diagonal alignment—some rotated slightly, others semi-transparent—overlapping like torn magazine cutouts. The mouths and noses are fragmented and mismatched, giving a disjointed, patchwork expression. Edges are rough, with tape strips and uneven paper overlaps anchoring each facial segment, creating a raw yet deliberate analog collage tension. The skin texture remains hyper-realistic, showing sweat pores, fine wrinkles, and minor blemishes that ground the surreal assembly. Hair strands peek erratically under the fragments, textured like xeroxed newsprint. The background melds retro fashion illustrations—bold, hand-drawn figures—and torn notebook-like paper scrawled with erratic pencil scribbles. Halftone dots, grain overlays, and crossed-out ink marks add to the handmade, punk zine vibe.
Her face is surrealistically deconstructed: one almond eye is duplicated and rotated downward near her cheek, while the other floats slightly offset above her high forehead, creating vertical dissonance. The forehead is split by a jagged tear, layered with fragments of duplicated skin patches showing varied freckle densities. The lips are repeated twice, one serrated and stretched along her jawline, the other pinched and overlapped near the chin. A massive, circular gold earring—rendered as a torn paper collage ring—hovers above her head, its edges rough with visible cut tape. The other ear shows the same earring in smaller scale, taped crudely onto the face collage, disrupting traditional scale and perspective. Her luminous skin reveals authentic texture: scattered freckles, subtle pores, and a faint sheen emphasizing natural luminance. Her backless crimson dress peeks at the edge of the frame, layered with crumpled paper grain and xerox distortions. The background is a stark white torn paper sheet overlaid with halftone dots and raw tape strips, evoking a hand-assembled 90s zine aesthetic that emphasizes tactile collage over realism.

Home

Community

Library

Profile