KENDAMA

A small experiment on 1960s samurai cinema, its black-and-white aesthetic, and the theme of revenge: KENDAMA. We all see flashy AI trailers, but achieving the cohesion of a "real film" remains a big question mark. With KENDAMA, I went in pursuit of that answer. Putting aside the minor artifacts in Kling 3.0, I feel we are incredibly close to telling stories with actual dramatic depth, moving beyond mere visual collages. AI is no longer just a toy; it’s becoming a legitimate tool for building a cinematic language.