DUNE

I went in with a clear Dune-like mood in mind — minimal dialogue, slow tension, and that epic, haunting soundtrack energy doing a lot of the work. I used Higgsfield AI mainly for composition and motion, then kept refining until it felt cinematic and controlled. The music guided the cuts and pacing, and I treated the AI like a camera, not a shortcut — keeping things restrained and letting the shots breathe and come together naturally.